House of Blessings is a solo performance which premiered at Standard Vision Studios in LA for Future Stages.

The piece unites dance and creative technology to explore ideas of queer techno-theology. It explores themes of devotion, virtualization, and the sublime. Religious iconography is ripped from time to examine the paradox of individuality and symbol—individuality as self-control, symbol as self-abandonment. Hyperactive and obsessive visuals overwhelm the space and tower over the dancers. An embodiment of queer affectation becomes a gateway to a new virtual divinity.